《欧洲的某个地方》电影高清完整版在线观看_欧洲的某个地方高清完整版下载-免费短视频分享大全

影片信息

片名：欧洲的某个地方
状态：DVD
主演：Artúr Somlay/Miklós Gábor/Zsuzsa Bánki/
导演：Radványi Géza/
年份：1948
地区：其它
类型：剧情/
时长：内详
上映：未知
语言：其它
更新：2025-07-16 09:29
简介：　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

29
微信扫一扫
复制下方链接，去粘贴给好友吧-欧洲的某个地方复制链接
关注公众号观影不迷路
扫一扫用手机访问

立即播放量子云

选择来源

百度资源
量子m3u8
量子云
无尽

3.0

网友评分

很差
较差
还行
推荐
力荐

378次评分

3.0

网友评分

很差
较差
还行
推荐
力荐

378次评分

给影片打分《欧洲的某个地方》

很差
较差
还行
推荐
力荐

我也要给影片打分

扫一扫用手机访问

首页电影剧情片欧洲的某个地方

播放列表

当前资源来源量子云 - 在线播放,无需安装播放器

倒序

百度资源量子m3u8 量子云无尽

DVD中字

剧情简介

　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

为你推荐

换一换

正片
亡命竞速
6.0 Jason Park/Christopher Deon/Luka Dingess/Brandon Dunlap/Nadia Adelay/朱迪·阮/Oscar Rockwell/
正片
船上恶熊
10.0 克丽斯托·谢伊///凯文·达菲// Clint Beaver //鲁迪·莱德贝特// Sherill Quinn/
正片
人机无界
3.0 William Bassoumba/Andrew Cullum/约瑟夫·戴浦西/Michelle Falanga/罗伯特·弗思/莉迪亚·海伦/Ashley Whelan/
正片
双生危局
9.0 Maia Alvina/内森·达莱斯/加布里埃尔·达文波特/Farah Foster-Manning/莎拉·格雷/安娜·霍普金斯/Dylan Mask/约格·莫利纳/Watson Rose/科迪·雷·汤普森/Jay Wong/阿玛莉亚·威廉姆森/Rod Wilson/
更新HD
超时空辉夜姬！
3.0花江夏树/入野自由/钉宫理惠/松冈祯丞/早见沙织/小原好美/内田雄马/青山吉能/夏吉优子/菲鲁兹·蓝/永濑安奈/
正片
伪术奇才
2.0未知
正片
糖果
3.0希斯·莱杰/杰弗里·拉什/艾比·考尼什/
HD
村在天堂边
6.0 Axmen Cali Faarax/Canab Axmed Ibraahin/Ahmed Mohamoud Salleban/Axmed Cabdillahi Ducaale/Maxamed Xaaji Cabdi Fadax/Maxamed Axmed Maxamed/Maxamed Maxamuud Jamac/Maxamed Xusen Xasan/Aamino Saalad Gureey/Abdirisaq Daahir Khalif/Adbirisaq Ciise Cawad/Faadumo D/
正片
捕鼠者 2016
2.0艾什莉·本森.马特·麦高瑞.凯丽·维诺夫./丽贝卡·纳奥米·琼斯.亚历克斯·克兰默.迈克尔·威廉·弗里曼.约翰·安德森/.迪伦·查尔菲.卡尔·格洛斯曼.乔恩·巴斯.特丽·卡斯特./特德·科赫./杰森·寇勒图尔斯/
正片
女生规则原声版
4.0 阿米达普·巴强/塔丝·潘努/基尔蒂·库哈里/Andrea Tariang/皮尤什·米什拉/安加德·贝迪/维杰·维玛/Raashul Tandon/图沙尔·潘迪/特里蒂曼·查特吉/玛玛塔·尚卡尔/Dibang/Mamta Malik/Amit Baisoya/S.K. Batra/

更新HD
来信
5.0 苏拉·沙玛/托尼·雷沃罗利/普拉提克·巴巴尔/Smita Tambe/阿迪勒·侯赛因/拉什·塔朗/Amit Sial/Sauraseni Maitra/Pramod Pathak/Alexx O'Nell/Kartik Krishnan/
正片
神探巴克希
1.0苏尚特·辛格·拉吉普特/菊池隆则/阿南德·蒂瓦里/Swastika/Mukherjee/
正片
正义降临
8.0 阿克谢·库玛尔/施卢蒂·哈森/卡琳娜·卡普尔/齐特拉伽达·辛格/Shruti Bapna/杰德普.阿赫拉瓦迪/Sunil Grover/Suman/Sanjay Gurbaxani/Rajiv Ranjan/Ishita Vyas/Parihar Ruby/Vikas Shrivastav/Jitendra Trehan/Anandeshwar Dwivedi/
正片
帝国双璧
4.0兰维尔·辛格/佩丽冉卡·曹帕拉/迪皮卡·帕度柯妮/米林德·索曼/阿尤什·坦东/坦维·阿兹米/阿迪亚·潘乔里/Vaibbhav/Tatwawdi/马赫什·曼杰瑞卡/拉萨·默拉德/Sukhada/Khandkekar/Anuja/Gokhale/Ganesh/Yadav/Yatin/Karyekar/
正片
慷慨之心
2.0沙鲁克·汗/卡卓儿/瓦伦·达万/克里蒂·萨农/维诺德.康纳/博曼·伊拉尼/卡伯·贝迪/乔尼·里沃/桑杰·米什拉/穆克什·迪瓦里/雪特娜·潘迪亚/
正片
惊天魔盗团2
6.0杰西·艾森伯格/马克·鲁弗洛/伍迪·哈里森/戴夫·弗兰科/丹尼尔·雷德克里夫/丽兹·卡潘/周杰伦/桑娜·莱瑟/迈克尔·凯恩/摩根·弗里曼/大卫·沃肖夫斯基/周采芹/理查德·莱恩/亨利·劳埃德-休斯/
正片
大移民
1.0 古斯塔·斯卡斯加德/索菲亚·海林/劳伦斯·金兰/Tove Lo/Díana Bermudez/Ola Normelli/丽莎·卡勒希德/Florin Zhang/斯蒂芬·克龙沃尔/詹姆斯·朗肖尔/Pedram Hajigholi/Paul Cimpoieru/Nova Salmi-Wikander/Noah Härling/Jesper Arin/
正片
新王加冕
4.0肖恩·派特里克·弗兰纳里/莫里斯·孔特/卡特里娜·宝登/丹尼斯·奎德/雷诺·维尔森/库里·格拉汉姆/科斯塔斯·曼迪勒/埃德森•巴博萨/米奇•高尔/阿里·阿夫沙尔/克里斯汀·基默/保罗J艾乐西/伦佐·格雷西/马歇尔·菲尔/威廉·W·巴伯/Joe/Mahon/
正片
马尔科姆与玛丽
1.0赞达亚/约翰·大卫·华盛顿/
正片
衔女主
9.0 凯蒂·麦克格雷斯/Bok van Blerk/吉尔·贝罗斯/

正片
成事在人
10.0摩根·弗里曼/马特·达蒙/托尼·戈罗奇/帕特里克·莫佛肯/马特·斯特恩/朱利安·刘易斯·琼斯/
正片
鼓手 2025
2.0 Sivaji/Bindhu Madhavi/Nandu Vijay Krishna/
正片
美国梦
4.0 尼克·斯塔尔//卢克·布雷西/阿格涅兹卡·格罗乔斯卡/凯瑟琳·加蒂/埃利亚·巴斯金/琳赛·塞姆/马克·库布尔/ Samantha Ressler/Ed Metzger/Dmitriy Karpov/ Kelly Mantle/Louis Fasanaro/ Mike Jerome Putnam /Jeanne Simpson /斯莫基·迈尔斯/Paul Renteria/Shasi Wells/Patrick Cohen/Robert Powell/
正片
弗兰茨
4.0伊丹·魏斯.彼得·库尔特.耶诺夫法·波科娃.伊凡·特洛伊.Sandra/Korzeniak.卡塔琳娜·斯塔克.塞巴斯蒂安·施瓦茨/.亚伦·弗里斯.卡罗尔·舒勒.Gesa/Shermuly./扬·布达尔/.约瑟夫·特洛伊.卡雷尔·多布雷/.Daniel/Dongres.René/Hofschneider.米哈尔·伊斯特尼克.弗拉迪米尔·雅沃尔斯基.Václav/Jirácek/.Michal/Kern.Stepán/Klán/
HD
浴火巾帼2
2.0 拉妮·玛克赫吉/Vishal Jethwa/Sunny Hinduja/基舒·森古普多/Shruti Bapna/Vikram Singh Chauhan/拉杰什·沙玛/Kirti Choudhary/Deepika Amin/Avneet Kaur/皮拉桑纳·凯特卡尔/Richa Meena/Garima Jain/K.C. Shankar/Komal Chhabria/Mahendra Shrivas/
正片
蓝色时期
6.0真荣田乡敦/高桥文哉/板垣李光人/樱田日和/药师丸博子/江口德子/石田光/中岛塞娜/秋谷郁甫/兵头功海/三浦诚己/やす/新田真剑佑/
HD
画笔与旋律
2.0 Laura Chiatti/Salvatore Langella/Filippo Nigro/
正片
大象的眼泪（粤语版）
8.0罗伯特·帕丁森/瑞茜·威瑟斯彭/克里斯托弗·瓦尔兹/
正片
窗台
2.0查理·汉纳姆/克里斯托弗·戈勒姆/泰伦斯·霍华德/帕特里克·威尔森/丽芙·泰勒/
正片
火线警告前传：萨姆的堕落
1.0Bruce/Campbell/基拉·桑切斯/Chandra/West/佩德罗·帕斯卡/

换一换