• 观看记录

    • 关注公众号观影不迷路

    视频
    视频文章明星
    取消
    推荐搜索
    全部
    电影O somma luce

    O somma luce

    影片信息

    • 片名：O somma luce
    • 状态：HD
    • 主演：Giorgio Passerone/
    • 导演：让-马里·斯特劳布/
    • 年份：2010
    • 地区：法国
    • 类型：剧情/
    • 时长：内详
    • 上映：未知
    • 语言：其它
    • 更新：2025-07-16 10:24
    • 简介：　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub　　“The end of paradise on earth.”—Jean-Marie Straub　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.　　The mise en scène of what words exactly?　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.　　Is “Straubie” Greece?　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
    2010/法国/剧情 /其它/

    • 关注公众号观影不迷路

    • 扫一扫用手机访问

     立即播放 量子云

    选择来源

    • 百度资源
    • 量子m3u8
    • 量子云
    • 无尽
    1.0
    网友评分
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    839次评分
    1.0
    网友评分
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    839次评分
    给影片打分《O somma luce》
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    我也要给影片打分

    扫一扫用手机访问

    首页电影剧情片O somma luce

    播放列表

     当前资源来源量子云 - 在线播放,无需安装播放器
     倒序
     百度资源 量子m3u8 量子云 无尽

    剧情简介

    　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub　　“The end of paradise on earth.”—Jean-Marie Straub　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.　　The mise en scène of what words exactly?　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.　　Is “Straubie” Greece?　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

    为你推荐

     换一换
    • HD中字
      母亲往事
      9.0 莱拉·贝蒂///乔纳森·科恩///约瑟芬·约比///莱昂内尔·德雷///让娜·巴利巴尔///雪儿薇·瓦丹// Naim Naji //米洛·马查多·格拉纳// Gabriel Hyvernaud / Nina Bouffier / Iliana Belkhadra //纳埃尔·拉比亚// Gabriel Alves Marques //安娜·勒尼///阿恩·马斯内// Noé Schecroun / Gladys Cohen //瓦伦汀·阿特兰// Anna Lebovits / Yaël Dyens/
    • HD国语
      开心岭
      1.0宋禹/巫刚/标马/王子伊/卢祈炽/桑吉草/
    • HD
      风雪飘摇
      4.0王宇/伊日贵/其那日图/钢特木尔/赵思芮/熬尔/巴音/
    • HD国语
      最恨我爱你
      2.0张陆/苏鑫/殷旭/张家豪/陈明昊/杨昊铭/康一鸣/孟天鸿/尹潇/
    • HD国语
      蓝海
      6.0叶兰/胡钰莹/王杍逸/
    • HD中字
      幕末传新解
      8.0染谷将太/贺来贤人/室毅/佐藤二朗/小手伸也/松山研一/矢本悠马/市村正亲/广濑爱丽丝/渡部笃郎/胜地凉/岩田刚典/山田孝之/高桥克实/山下美月/仓悠贵/
    • HD
      炫舞我人生
      2.0董维恩/陈乐添/杜梵/李纯洱/
    • 正片
      混凝土乌托邦
      6.0李炳宪/朴叙俊/朴宝英/金善映/朴持厚/罗哲/金度允/南镇福/金学善/朴周勇/
    • 正片
      板球风云
      5.0 德夫达尔什尼·切坦/迪内什/Jensan Diwakar/
    • 正片
      希腊走廊
      5.0 妮基·迪洛许/Apostolis Totsikas/
    • 正片
      我是下一个吗
      3.0 Anushka Sen/Neelu Dogra/Tariq Khan/
    • 正片
      印度女人帮 200
      10.0未知
    • 抢先版
      揭秘日
      4.0艾米莉·布朗特/乔什·奥康纳/科林·费尔斯/伊芙·休森/科尔曼·多明戈/怀亚特·罗素/亨利·劳埃德-休斯/吉姆·帕拉克/迈克尔·加斯顿/麦肯娜·布里杰/加比·比恩斯/汤米·马丁内兹/斯万米·萨姆派奥/艾米丽·麦肯德里/埃利奥特·维拉尔/诺亚·罗宾斯/克里斯·西尔科克/奇里尔·保兰/库利·卡尔文/伊丽莎白·斯坦利/
    • 正片
      负31：那格浦尔档案
      9.0拉古比尔·亚达夫/鲁查·伊南达尔/杰什·夏尔马/
    • 正片
      双喜 2025
      8.0刘冠廷/余香凝/杨贵媚/田启文/庹宗华/汤毓绮/蔡凡熙/洪群钧/晏柔中/梁皓岚/林史恩/张馨比/刘品言/李国毅/陈淑芳/朱凯柏/林在培/检场/杨丽音/洪都拉斯/于子育/李之勤/梁绮翘/黄惠卿/江家贤/黄婕菲/吴继高/陈以文/谢丽金/姜康哲/黄宣/吉冈里帆/杨乐多/游珈瑄/江澄瑄/阮凤仪/林品彤/詹镘璞/张心哲/
    • 正片
      天空的另一面
      9.0黛丽丝·韦恩伯格/罗德里戈·桑托罗/米丽娅姆·索卡拉斯/阿达尼洛·雷斯/罗莎·马拉古埃塔/克拉丽莎·皮涅罗/迪马斯·门多萨/丹尼尔·费拉特/海托尔·洛里斯/拉斐尔·凯撒/伊莎贝拉·卡唐/丹尼埃拉·雷斯/迭戈·保尔/阿尔登诺·桑托斯/托尼·弗雷拉/卡罗尔·梅德罗斯/艾瑞斯玛·费尔南德斯·罗德里格兹/朱莉亚·卡哈尼/罗伯森·内/露亚娜·布兰道/
    • 抢先版
      金谍行动
      7.0杰克·吉伦哈尔/亨利·卡维尔/裴淳华/艾莎·冈萨雷斯/费舍·史蒂芬斯/埃米特·J·斯坎伦/克里斯托弗·海维尤/科乔·阿塔/克里斯蒂安·奥乔亚·拉维尼亚/穆罕默德·阿勒·图尔基/杰森·王/卡洛斯·巴登/科里·道格拉斯·坎贝尔/拉娜·阿拉慕丁/贡萨洛·博乌萨/卡洛斯·克劳曼斯莫勒/西尔维娅·纳瓦尔/阿尔韦萨姆·希格达尔/阿列克谢·丘纳耶夫/
    • 更新至6集
      亲爱的小熊先生
      2.0未知
    • HD国语
      盛夏远行
      3.0郭涛/吴伟/谈文莎/
    • HD
      迈克尔·杰克逊：巨星之路
      7.0贾法尔·杰克逊/尼娅·朗/朱利亚诺·瓦尔迪/科尔曼·多明戈/迈尔斯·特勒/凯林·多瑞尔·琼斯/劳拉·哈里尔/杰西卡·苏拉/麦克·梅尔斯/肯德里克·桑普森/拉伦兹·泰特/约瑟夫·戴维-琼斯/贾马尔·亨德森/莱恩·希尔/特雷·霍顿/朱达·爱德华兹/杰登·哈维尔/杰林·林登·亨特/纳撒尼尔·罗根·麦金泰尔/
     换一换

    最新资讯

    更多
      更多

      评论

      共 0 条评论

      剧情片排行榜

      更多